Thursday, December 29, 2011

Upcoming Live Critiquing Workshop: March 3, 2012




Back by popular demand . . .

Our next LIVE CRITIQUING WORKSHOP:

March 3, 2012
American Fork Library
64 South 100 East, American Fork, UT
Doors open: 10:00 a.m.
Workshop: 10:30 a.m. -- 3:30 p.m.

Includes one hour lunch break, lunch on your own

Registration deadline: Feb 25, 2012

**Limited Space**

Payments to: www.paypal.com
Pay $35.00 to PayPal account: editor@precisioneditinggroup.com
**include "PEG Workshop" in the notes
**include your email address in the notes if different from your paypal address
(you don't need a PayPal account to do this)

Instructors include our very own editors:
Annette Lyon (Best of State winner, Whitney Award winner, author of historical fiction, women's fiction, romance, middle grade fantasy, non-fiction, including a cookbook)

Josi S. Kilpack (Whitney Award winner, author of women's fiction, romance, suspense, and culinary mysteries)

Lu Ann Staheli (Best of State winner in non-fiction, Best of State educator, author of celebrity memoirs, and columnist)

Heather B. Moore (Best of State winner, Whitney Award winner, author of historical fiction, women's fiction, and non-fiction)

Julie Wright (Whitney Award winner, author of middle grade science fiction, time-travel, contemporary young adult, women's fiction, and romance)

Bring:
15 pages of your manuscript, double-spaced, 12 point type
**Make 6 copies for your critique table

(We may not get through all 15 pages, but we should get through at least 10)


Questions? Email us: editor@precisioneditinggroup.com

Official PEG Workshops Blog Here

Wednesday, December 14, 2011

In Writing, Nothing Is Black and White

by Annette Lyon

Recently at a meeting with my critique group, we got to talking about giving advice to other writers. All of the members of my group have spoken at writing conferences, at workshops, in classrooms. And we've all had aspiring writers come to us with specific questions.

We all try to help as best we can. But there's a little secret behind all our advice:
In writing, there are no black and white answers.
  • The craft and industry has some general rules, yes. But you can find exceptions to just about every rule.
  • You can find plenty of successful writers who violate rules all over the place.
  • What works for me may not work for you.
  • And while it pains me to say this: this includes grammar and punctuation, to a point.

Whether it's outlining, point of view, character development, world building, finding time to write, getting over writer's block, or a hundred other things, no one has the ultimate answer.

Really.

That said, figuring out what works most of the time and for most people is useful.

Learning the acceptable rules of grammar and punctuation will be in your favor . . . so that when you need to violate them, you can do so effectively and purposefully.

Following industry expectations usually plays in your favor when seeking publication, so you can come across as a professional.

You may be the exception. Or not.

So . . . How do you know if you are?

Um, yeah. Another tricky question. You can't really know, at least, at first. Figuring it out takes time and practice. And a lot of both.

My advice: learn the rules. Learn to use them well. Figure out why they're rules in the first place. That could mean years of practice.

You can't know what works for you until you do. So try outlining. If that just isn't you, try pantsing it. Chances are you're somewhere between the two extremes. Play around until you find the place on the continuum that fits you best.

You'll have far more success finding your own way than trying to duplicate someone else's journey to publication.

No writer follows the same path as any other. You'll find obstacles unique to you, things you need to figure out on your own. Things that, frustrating as that is, may not have a clear black and white answer.

None of this is to say to ignore the instruction of writing teachers, to stop going to conferences, to stop reading blogs like this one, or to abandon writing books, podcasts, and the rest.

Rather, it means to expose yourself to as many different ways of viewing the writing process and the rules behind it so that you can find your personal niche.

If something a writing teacher passes along doesn't resonate with you, that's okay. Maybe another writer's way of viewing the same issue will work better for you.

Along the way, you'll stumble upon situations where you'll want to do something out of the lines. If you've put in the work, you'll know if you can do that. You'll be able to do it better than if you tried going into it blind. And coming out the other end, you'll know why it worked.

So: Learn as much as you can. Read lots. Practice writing even more than that. Figure out which rules work best for you.

You'll eventually discover what is your black, your white


Tuesday, December 13, 2011

Poisoned Apples

By Julie Wright

I've recently discovered the TV series Once Upon a Time. For someone like me, who is an avid junkie of all things fairytale, this is a delightful series. I only wish I'd discovered it when it had moved into its second or third season so I could buy the DVDs and watch at my own leisure.

While I was at ABC's website streaming the first few episodes (available for a short time only), I found the comments list. It was during the second episode. I was waiting for the show to buffer so scrolled down to see what else there was to do, because I am a chronic multi-tasker and really hate even a few seconds of idle time. One of the comments was,

"Inconsistency with the apples...she says honeycrisp tree then hands Emma a red delicious. I know, I know, it's small, but details like that are important to me."


There were several comments about the honeycrisp. Apparently a lot of people know their apples. I didn't actually catch the error, because I don't know apples, but I found the comments interesting--comments like, "I know it's small, but details like that are important to me."

There is power in getting the details right.

Don't get me wrong. I totally understand the frustration that research brings. I know what it's like to get to a place where I simply don't know how it really works. That's one of the reasons I set aside a book I'd felt very strongly about. I was lost in the research and realized that until I could commit to the research, I had no business writing the book. It's easy to let little details go while thinking, "How many people really know what a honeycrisp apple looks like anyway?"

The answer is: A lot of people.

And them knowing the right answer when the writer got it wrong yanks them out of the story. Some readers will roll their eyes and dive back into the story. Others will roll their eyes and TRY to dive back in, but they'll keep surfacing so they can do another eye roll, and the book loses some of its original excitement. And others will roll their eyes and walk away because they can't get past the fact that the writer got it wrong.

For them, a wrong apple turned into something toxic--poisonous to their ability to suspend disbelief.

It takes time to get the details right, but it takes even more time to try to win back readers who feel like you've failed them. Don't set a volcano in Sweden if you aren't sure about whether or not such a thing could exist. Don't trust to just Google or Wiki for your sources (though they are great resources). Take a moment and call the hospital to talk to their night shift nurse to find out a detail about how his/her shift works or what protocol is for seeing a patient. Call the post office to find out how much it would cost to mail a pot of gold back to Ireland. Call an STD hotline to find out actual statistics (though they might ask you what your symptoms are and think the "writing a book" is just a cover story). Go ride a horse, go rockclimbing, go  . . . DO whatever it is you have your character doing (within reason--if your character is jumping off the Empire State Building, you definitely should not do that).

I had a teenager who wanted to be a writer ask me for the most important bit of advice I felt I could give. I told him to: Go. Live. Life.

See, taste, smell, hear, touch life. Your own experiences are your best research.

Bite into a honeycrisp.
But make sure not to pick one from the tree where the queen used to live. Better to not take chances.