Showing posts with label middle-grade. Show all posts
Showing posts with label middle-grade. Show all posts

Wednesday, June 22, 2016

Defining Markets

A popular post from August 2011

by Annette Lyon

Knowing who your readers are is crucial. Your readers define your market and genre. Market and genre define where your book will be shelved (or indexed online) and therefore how potential readers will find you.

It also defines how you write your book.

Below are some basic genres and markets. The descriptions are very much generalized, but they'll at least give you an idea of how the publishing industry breaks things up.


Early Chapter Books
These are books young readers cut their teeth on. They're longer than picture books (but will still have some pictures), have larger fonts, and stick to pretty simple story lines. Books in this market include everything from the Arthur chapter books to the Frog and Toad series, Junie B. Jones, The Magic Tree House books, and so forth.


Middle Grade
Much longer books, few if any illustrations. Focused on emerging readers who can handle more complex stories and characters. Themes aren't too intense, and the protagonists are usually early teens. Middle grade has quite a range, from Diary of a Wimpy Kid and Dear Dumb Diary to more complex books like the Fablehaven series, Percy Jackson, and the Deltora Quest series, along with the early Harry Potter books. (As Harry ages, so does his market. The later books are clearly Young Adult.)


Young Adult
Older teens are the main characters, and with that, we get more difficult and complex stories and themes. That can mean more violence and other content (language, drugs, innuendo, etc.), but it doesn't have to. Often YA means longer books. Examples include The Hunger Games, My Fair Godmother, and The Maze Runner.


Speculative
This is a huge umbrella that covers several genres. In the most basic terms, "Speculative" means science fiction and fantasy. It can also include paranormal, horror, and other "otherworldly" stories. Within speculative you'll find sub-genres like dystopian, post-apocalyptic, high fantasy, low fantasy, and more. If you're writing here, you'll need to do research so you know what's out there and where you fit. Examples: Ender's Game, I Am Not a Serial Killer, and Mistborn.


Romance
The cardinal rule: the couple must end up together in a committed relationship. That doesn't mean we need to see an engagement or a wedding, but they need to be together, essentially "happily ever after."

You can certainly write stories where the couple doesn't get together. Such books sell well, but they're in a different genre (women's fiction or literary fiction). They cannot wear the label of "Romance."

Romance isn't all "bodice-rippers." It's a huge market (the best-selling genre by a mile). Included are category romances and stand-alone titles (find out which you write) and levels of "heat" from "sweet" (where the hero and heroine do no more than kiss) up to the really spicy (which can border on erotica) and everything in between. Examples of Romance writers: Danielle Steele, Georgette Heyer.


Mystery
In the same vein, a mystery must have the crime (usually a murder) solved by the end, or it's simply not a mystery. This genre has a big range of sub-genres, including culinary and cozy mysteries on one end and hard-boiled, intense (and possibly graphic) stuff on the other. As with Romance, if you violate genre conventions, you're going to end up with ticked off readers. Example: anything by Agatha Christie.


Thriller
In some ways, a thriller is the reverse of a mystery. In a mystery, we're trying to piece together clues to figure out who did it. In a thriller, we usually have a clue as to who the bad guy is, and we're trying to escape them or stop them from doing something horrible. Examples: The Hunt for Red October, The Da Vinci Code.


Women's Fiction
Somewhat of a broad term that encompasses literature that's often seen in book clubs. Features women and issues they face, but isn't Romance by genre terms. Examples: The Poisonwood Bible, The Help.


Of course, this is in no way an exhaustive list of genres or markets. In many cases, age-group markets are combined with genres, so you can end up with Young Adult Romance (most titles by Janette Rallison's books), Middle Grade Speculative (Percy Jackson), Young Adult Paranormal Romance (Twilight), and so forth.

Know your market and genre and then read it. Learn the ropes. Learn what's been done, learn what the readers expect. Learn the rules and which ones you can break (and why). Figure out what's old and what you can offer that's fresh.

Then get back to the keyboard and write!

Friday, April 15, 2011

Interview with middle-grade author Frank Cole




I’d like to welcome Frank Cole to our blog. If there’s one word I could use to describe Frank it’s: enthusiastic. He has a contagious enthusiasm about him that draws the kids in.

Frank is the author of the middle-grade series, Hashbrown Winters. His newest book is the middle grade book, The Guardians of the Hidden Scepter. Frank has had 4 books come out in two years—I think he’s found a niche.



Something I’ve learned from my writer friends who write in the children’s genre is that children’s authors have to put themselves right into the action—and go to where their readers are: Elementary schools. So if you are reluctant to spend time speaking to a group of school kids (over and over), it will be tough to compete with the other children’s authors out there who are working hard to connect to their audience.

I hope you enjoy the interview!

Heather: Like I mentioned, being a successfully published children's book author requires school visits. Tell us how you manage to work these in and if you think they are worth the effort. Also let us know if you have any tips for new children's book authors out there who are planning on doing school visits.

Frank: I honestly feel it is one of the best ways to promote your work to kids. Especially for the younger middle grade audience. I think kids need to connect with the author and by providing a fun, educational presentation at their school, you create that connection. It can become difficult trying to juggle writing, marketing, and delivering school presentations, but I think it is well worth the investment of time. My tips would be to have as much fun as you possibly can. When the presentation becomes a chore for you, the kids will pick up on that and lose interest. Be animated and be funny if you can. And keep them involved throughout the presentation, whether with Q&A or with activities.

Heather: You’ve had 4 books come out since 2009. Tell us about your publishing experience. Did you get your first book written published? And how long did it take to find a publisher?

Frank: I went through your typical grueling experience to become published. Tons of rejection letters. Tons of rewrites. Always questioning whether or not I truly wanted to continue. The first book I wrote took the brunt of most of my rejections and no it has yet to be published. (Probably never will.) From the moment I realized I wanted to be a published author to the day my first book appeared on bookshelves took about 8 years. Still, I feel it was worth the wait!

Heather: I love hearing the stories of how authors have persevered through rejections and revisions. Well done! I think many of us have those first manuscripts that are buried on an archaic disk drive somewhere. It’s important for new writers to know that their first, most beloved, book may never be published, but we all have to start that next book. What are some things you wished you would have known when you had your first book published?

Frank: How much work I would have to do to promote it. It really doesn't matter if you're published by one of the big publishing companies or an independent publisher. The real work begins when you sign the contract.

Heather: Agreed. Yes, if you are on the A list with a publisher, you’ll get more advertising, but the author still has an incredible amount of self-promotion to do. Speaking of promoting one’s self, social media has become a must in promoting books. In fact, publishers are asking their authors to create an on-line presence. What type of social media do you use in marketing your books? And what do you find to be the most effective or useful?

Frank: I blog (franklewiscole.blogspot.com), I use Facebook quite a bit, and I've recently started building an e-mail list (should've started earlier.) So far, Facebook has been my most effective tool in spreading the word.

Heather: Your newest book, The Guardians of the Hidden Scepter, is separate from your Hashbrown Winters series. Give us the elevator pitch.

Frank: The Guardians of the Hidden Scepter is my take on action adventure with an Indiana Jones type feel, but with kids as the stars. If you like action and suspense, but also enjoy laughing along the way, this book should appeal to you.

Heather: Sounds great. What has been your most rewarding experience since becoming an author?

Frank: I love seeing a book I wrote on a bookstore shelf, but I think the most rewarding experience has been whenever a parent or a teacher at an elementary school approaches me and tells me my books have helped ignite a love of reading within their child or student. That's what it's all about!

Heather: I definitely agree with that. It’s very humbling, yet very motivating as well and makes the grueling hours of editing more worthwhile. What have you learned about the publishing industry that you didn't know before you got your contract?

Frank: I think I've learned there are literally thousands of people trying to get something published and most of them are quality writers with really great ideas. It's intimidating. I've also learned for most people in the industry (myself included) writing an awesome story is only the beginning. Marketing your project, putting it in people's hands, presenting yourself in as many places possible is the very next step.

Heather: Thank you, Frank. In parting, what advice do you have for aspiring authors?

Frank: Don't give up and keep writing. Rejection is part of the business. If you give up after the first or fiftieth rejection, you'll never realize what you could have accomplished. Don't stay married to your first novel. The best thing you can do is to keep writing and learning. You abilities will develop after each book you finish. It's likely your first novel won't be the one that receives the contract. So, start cracking out your second and third.

Frank Cole's Blog
Frank Cole's Hashbrown Winters series on Amazon
The Guardians of the Hidden Scepter on Amazon