Wednesday, March 15, 2017

The Art of Dialogue: Reveal the Character

A popular post from July 2013

By Julie Wright
part three of four

It's time for the third tip of writing good dialogue. Remember that dialogue can do all of the four things I am going to mention here, but it has to do at least one of them in order to be of any use to your story.

Tip number three:

Reveal the Character

We don’t learn about characters simply by what they do, or the exposition that is written; we can learn about them through what they say and just as important, how they say it. Some characters are quiet and reserved so every word they actually utter is like a gift. Think Phineas and Ferb. If Ferb ever says anything, you always pay more attention to it, because it hardly ever happens. You expect something profound and awesome to exit that guy's mouth.
Other characters say whatever pops into their heads. They're the non-filtered characters.  These people are annoying to most of the world. These are the people that you sometimes want to push off a cliff because you just need them to stop talking. I am a non-filtered conversationalist. Please don't push me off a cliff. I truly don't mean to be offensive. We are who we are . . .
Some people are opinionated. Some are conservative. Some people turn everything into a joke. Some people don’t even get jokes let alone tell them.

By using dialogue properly, we can SHOW a character who is a submissive kiss-up in the way he offers to do the Starbucks run when the boss mentions he needs a coffee. Or in the way the kiss-up walks in on his co-workers talking in the break room instead of working and insists he's going to tell the boss on all of them.  The author doesn't just tell the reader that Simon was a whiny, sniveling kiss-up. The dialogue shows it.

Revealing the character through dialogue is an ultimate SHOW don't TELL kind of move. Don't tell us she hates her mom. Drop us in the middle of the fight and show her yelling at her mom--saying the sorts of things that prove her feelings. Don't tell us it hurt him to say goodbye. Show his voice cracking as he stumbles over the one word that changes everything for him.
We learn a lot about people during the course of conversation. Use this tool to help your reader better know your characters, and for your characters to better know each other. The more your reader knows your character, the more your reader can empathize and love that character which means they will stay with your character until the very end.

Revealing the character means the dialogue is necessary. It has earned it's right to be in your story. Like I said the last two weeks, if you have scenes of dialogue that aren't paying their rent by contributing to the book as a whole, then they need to be evicted. Squatters have no place in a good story. Make certain your dialogue is paying its rent. Make sure it is:
  • Moving the plot forward.
  • Setting the Tone
  • Revealing the character

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