A popular post from January 2014
by Annette Lyon
Last month, as I have for well over a decade, I attended another Christmas dance recital to watch my daughter light up on stage. As usual, her grace performing (this time ballet) didn't disappoint.
A different dance number jumped out at me for a different reason, however. Most likely, it jumped out at every member of the audience: a hip-hop piece. The number was well choreographed, and the star dancer, a sixth grade black boy, stayed front and center, and for good reason. He was nothing short of jaw-droppingly amazing.
Every move he made was powerful and precise. He exuded joy and energy and attitude and got the audience excited, returning his energy a thousand-fold.
The few times my eyes strayed from him, I regretted it.
Why? The other hip-hop dancers on stage with him weren't anywhere in the realm of his league, for starters. But that in and of itself wasn't the problem. The real problem was that the other dancers didn't seem to be trying at all.
In dance speak, they were marking the routine rather than dancing full out, as if they were afraid of looking stupid doing the moves, so, hey, I'll do them small and weak, and maybe no one will notice.
To be honest, the other dancers looked almost embarrassed to be up there. Surely they knew they weren't as good as the star, but by not doing their best, by not going full out, they looked even worse. Their movements looked sloppy and weak. They looked unsure and had so little energy that as an audience member, I found watching them to be total yawn fest. At least, when I wasn't cringing.
Worst of all, I made the discovery that when hip hop is performed halfway, it does look really, really silly, which I can almost guarantee was the dancers' (and, I'd wager, every artist's) worst fear. Do it halfway, and you'll look ridiculous. Do it full-out, and you're on to something.
As I sat in the audience, it dawned on me that writing is somewhat the same way.
Writing and putting your work out for an audience can be downright terrifying. But you can't play into that fear. If a writer backs away from being as strong and powerful and in control of their work as they can and should be, that is the moment when the work looks sloppy, weak, and chaotic. It's as if the writer wasn't at the helm, had no idea what to do next, and simply hoped no one noticed the missteps.
And yes, there will be times a writer is unsure. We have all taken risks in our work (or we should have). We all have grown, so we've all had our weaker moments, and will continue as we (hopefully) keep growing. The risks that have the best shot of working are the ones we commit to: the ones we write full-out. The minute we start marking a risk or a new technique, hoping no one will notice we're unsure and scared? That is the moment our work looks sloppy and weak.
Watching that hip-hop routine, I thought back to times where I've seen writers who have poured their souls into their work, even into a first draft, when maybe they weren't entirely at the skill level they wanted to be at. But they were trying with everything in their souls. The result: riveting and exciting writing anyway. As a reader, I find myself forgiving errors or weak spots because I see the passion and power that lies behind the writing. On the flip side, I'm far more likely to give up on prose that happens to be free of typos but lacks any heart.
So however you write, whether it's sitting at the keyboard or curling up with a notebook and pen, don't hold back. Yes, you may have some missteps along the way; that's to be expected. Maybe you aren't (yet) as good as other writers you're "on stage" with.
But chances are, if you hold back, your work will only draw negative attention to itself, and you won't grow. You'll never reach that glorious point where the eyes are all on you, where people's jaws drop in awe and admiration at the feats you just pulled off.
And remember: Every time a writer steps on stage, he or she is writing all by themselves. We must write full out, every single time.
Is baring your soul, pouring your all into your work, easy? No. Unequivocally no. But I'm convinced that doing so is the only way to ever be great.
So for this new year, here's my challenge for a resolution:
Get in the game, all the way. Write full-out every time. Leave the fear on the wings of the stage.
When you write, be that amazing kid in the front who made the dance look cool and amazing and awesome instead of the ones in the back who made it look, well, silly.
In other words, go all the way. Go big, or go home.
(I don't really want you to go home. Just decide to go big!)